Nedelja, 8 marec 2009


Brides on tour

Concept and devolopment : Michele Drascek and Maja Slavec / http://micheledrascek.blogspot.com /
Photography : Maja Slavec

Curator for the Brides on tour* stops in Gorizia (Italia) e Ljubljana (Slovenia), Michele Drascek, in collaboration with the photographer Maja Slavec, produced a work for the slovenian stage of the tour and for the final exhibition that will take place in Byblos Art Gallery, Verona (Italia).

Ho Kryptos tes kardias anthrophos (The hidden man of the heart) [I Pt 1,4] is a sentence that suggests to the women to take care of the hidden being that they bring inside of them. Two brides, two hidden beings.

[*Brides on tour is a unic and one-time trip of two brides thumbing through the Mediterranean area [bridesontour.fotoup.net]. Along the route they will stop to meet artists, associations , local craftswoman, museums and foundations, but also cultural and pacifist association with whom they will make some symbolic acts like the feet washing, the daily dress washing and also an interaction with them job. The purpose is to explore and raise every possible attestation with videos, photos and written diaries]


http://bridesontour.fotoup.net/tappe/11/lubiana-galleria-alkatraz





Nedelja, 1 marec 2009

Women Beauty Power Less

Performance

Video documentation



A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.

What happen? The people didn’t react to the provocation and they ignored the risk: they felt totally out of danger and they looked at her as an object of Beauty, not as an object of fret.
Someone on the street said “She got a bomb” and then the other pointed out “She is a bomb!” They recognized in her, in spite of all that, the Beauty and not the danger.

At present Slovenia is the president of EU Parliament. The importance of this political position is high. And for this political position also the possibility of a terroristic attack is growing more marked. But the media are not communicating this possibility to the people. So the people are living this political situation in a comfortable way. They are not touched from this important position. They are feeling safe, like nothing changed.

The media influenced the people with an image that is not the equivalent to the reality.
That means that we are now living in a complete simulated condition, where information tells us nothing about reality. The image of the Beauty remains the more important message of the media, in every field of life.
And the Beauty attract the attention of the people also in the street: it doesn't matter what a woman is carrying in a box, which sound is coming out from the box...she's beautiful! The reflection of the representation of the media works in every level of reality. The danger is not touching the people: it's unreal, it is a NON possibility.


video

Sreda, 26 november 2008

Četrtek, 9 oktober 2008

14th International Festival of Contemporary
Arts City of Women

Surova Simbioza / RAW SYMBIOSIS animals_nature_culture
Gallery ŠKUC, Ljubljana, Slovenia

project: CARNIVOROUS fashion collection
fashion designe: Mirica Strnad and Nataša Brecelj
instalation and photography: Maja Slavec

http://www.myspace.com/carnivorouss





Četrtek, 15 maj 2008





Fužine
Preglov trg 10
1000 Ljubljana


ARTEINGUENA 2008, International Competition, Italy

"IMPACT - ART" /place + relationships
Now in Arteinguena collection in Brescia



Block was build in 1985, mostly for young families from ex Yugoslavia. Relations between neighbors were alive. Children were playing all days, parents were visiting each other, community events (cleaning initiative, public flat that was used for meetings and as a Club room in winter for the children, where they could play, we made theater events for our parents... ). In 1991, Slovenia becomes an Independent State, and communities begin to change. The changing structure of economy had a big impact on people life style, lot’s of people lost their jobs. Slovenia was a strong industrial country in former Yugoslavia, now we are strong in trade economy and not in industry. This year we are a leading country for European Union, a story of success for a young country. My goal is to see how these positive changes reflect in everyday life in our neighborhood.


We leave under the same roof, and we become complete strangers, almost no relations between neighbors. We have cameras in a public hall, locks on public enter even on floors and benches were removed so that people wouldn’t gather in front of the block and disturb others, now we have marble walls in the public hall, and mirrors in an elevator. Before this was not an option, because of vandalism caused by adolescent boys. Playgrounds are empty.


So, I decided to make a connection with my neighbors, and try to see how they live at home. I send them letters, where I announced my visit in a week or two. I started to work on 8th February 2008 on a national cultural holiday.

I ask them if they would let me to take photos of them in a moment, before I rang on their door. So I had the opportunity to reconnect the relations with me and them. We have 14 flours and 139 apartments, 357 people living in. I made a connection with 30 apartments and 55 people. In my visits I made new friendships and recover a few old ones with my friends from child hood. Almost with everyone we had fillings of nostalgia for old times. A lot of people didn’t even want to open the door they sham as they weren’t at home.
To
conclude, that modernity of life reduced relations, now we are much more addicted from TV, shopping and computers. In my visits just one lady said that she love to read books, music was usually from the radio or none, television is in almost every apartment watched even at lunch time, I noted just one flat with art works, and I managed to take a picture of a new one that come in the collection (painting of F. Slana). A lot of young people were in front of their computer playing games, or surfing on the internet. Some spoke with me, but they didn’t want to be photographed.

After I have finished the invasion of privacy, I prepared an exhibition of photographs in a public hall. The purpose was to confront neighbors between each other, and to see if they will connect, if the relations will change, because they were a part of a project. And what kind of a reaction will I get as a photographer. Reactions were positive, some said that I gave them a theme to speak about.


Now when I encounter them in the elevator or in a hall we exchange a small talk, and they are interested in my work. Part of a purpose was to bring a contemporary art to their home, show them that they can be a part of it, and trigger the interest for art events in general.

The result of a final work is a collage, where I poetically connected the materials that I develop during my work. So the final composition is a symbolic platform. In the background is a picture of a block in front is mosaic of shots of my neighbors at home. The composition is pointing out the living side of a standing still building it represents the power of history and infinity to opposite fragile life’s that are constantly changing.

Četrtek, 20 marec 2008


Exhibitet in ILLUMINATORS in Yekaterinburg Russia

opening 10.4.2008

http://www.artpolitika.ru/illuminators

REVALUATION

Performance in public place

The movement of a dancer has a tension to make circles in a space; this intension is representing the public systems (political, cultural, economical…) that have an impact on our life, with or without our approval.

The TONDO represents a micro system of intimate space, a system that exists among others. Personal intimate and public structures that; I see it as closed systems where you fit in or not. The movement of a dancer is representing intimate story that is trying to fit in, but then you see that the figure is constantly breaking the perfect shape and makes there ones, the figure represents the autonomy of a living being with frustrations that we develop in the process of growing.

The main shape can be seen as ocular or as a general shape of life path, that I understand it as a repetition in general. As an Artist I thing that we have the same path to follow, but we have a larger autonomy. We constantly revaluation the system, we are tensing the borders, we respond under the autonomy of ART in institution of gallery. But this field is closed in the same way as others systems. If we take an action that is produced in the name of art, out of the field of institution it can be a conflict situation in public space. I am testing the borders in public space, where I confront coincidence walkers with a performance and I documented how they response and do they get involved knowing that they will be filmed or photographed.

The participation in these video (“revaluation”), is representing the power of a relationships in our society, sometimes we can control it and sometimes we are controlled. On the end stands a question who is the winner. Is the way we chose to walk ours, or is controlled by the system of our political, economical or cultural structures. Are we really free in our decisions?

The second part of a video goes backwards with the music, so it is a revaluation of a life that had stopped. What could we do better, do we except the past or we are sorry for things we did. Is the power of being on the end still so strong to end our life with a smile? What means to be significant and to whom, has our life as an artist an impact in the society? These are the questions that I am trying to open through the video, “Revaluation”.

the original play is 42.min


video